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Bells are not just for ringing

LAST Sunday,
in his homily during a Mass on the feast of St. Ignatius,
Jesuit Provincial Superior Fr. Danny Huang mentioned that
the saint would often sit on a small balcony in the Jesuit
curia in Rome and gaze at the stars. This would move St. Ignatius
to see and feel how small he was in the context of the universe,
so he would fall on his knees and praise God.
That was centuries ago. But if the saint
were alive today, would it be possible to see stars from the
same balcony? In Metro Manila, the glare of the city lights
has made star gazing very difficult. Often one needs to go
out of town to see stars and constellations clearly set in
a dark sky.
Most people in the city have other diversions,
like malls, cable TV and the Internet, that make them forget
simpler things like nature. City dwellers thus make do with
small pocket Zen gardens or perhaps spend a quiet time having
a massage in a day spa.
I am grateful for simple pleasures available
in my corner of the universe that make life worth living like:
birds chirping in the morning, squirrels running along electric
wires, and even the sound of a church bell from the Anglican
church that gives us the time of services on Sunday mornings.
I've always wondered why the bells in the nearby Catholic
church can't be heard as clearly. Bells are so antiquated
that some parishes install loud speakers on rooftops and,
instead of real bells, taped pealing is played. Who needs
bells in the age of text messaging and e-mail?
In colonial times, church bells did not
only provide time or warn of danger, they also signified the
service being held in church as they tolled differently for
a funeral or a marriage, for example. The area covered by
a parish or Spanish control was measured by the sound of bells
within earshot, thus literally "bajo de las campanas"
[under the bells]. Since most churches built these days have
no provision for church bells, the ancient ritual of "baptizing"
church bells is rarely performed.
According to Regalado Trota Jose, the
authority on colonial churches and ecclesiastical art in the
Philippines, the bell is not only blessed but also washed
inside out with holy water and salt. Then, seven crosses are
drawn on the outside of the bell with the Oil of Cathechumens
(used for baptism) and four crosses are drawn on the inside
of the bell with Holy Chrism (the oil used for anointing the
sick and dying). After being so anointed, a name of a saint
is given to the bell, and incense is made to smoke it into
holiness. After a reading from the Scriptures and closing
prayers, the presiding priest makes the Sign of the Cross
over it and the deed is done.
Bells were believed to purify the air
of evil and to be unbearable to evil creatures and hopefully
evil people, as well. Bells were rung during storms in the
belief that holy sound could quell any tempest.
Years ago, following Ricky Jose's example,
I would visit colonial churches in and around Manila, taking
notes and pictures. Once I climbed up one of the spires of
San Sebastian Church in Manila to look at its bells. Perhaps
I was so occupied with keeping my balance that I didn't notice
that one of the bells was inscribed "Circuncision del
Señor" and was cast in 1861.
This name may be too much for the Movie
and Television Rating and Classification Board or those raised
on the post-Vatican II Catholic Church calendar. But Jan.
1 used to be the Feast of the Circumcision, although this
was changed in 1969 to the Solemnity of Mary Mother of God.
The earlier feast explains why one of
the little old women who came to the wake of my grandfather
was named Circumcision Garcia; her parents obviously took
her name straight from the Church calendar. To add insult
to injury, her nickname was "Tuli" and in later
life she was known as "Apung Tuli." For those who
think I'm inventing a new urban legend, I will try and find
the Mass card she left at my grandfather's wake in San Fernando,
Pampanga.
There is a lot of history we can learn
from church bells, and researchers will forever be grateful
to Ricky Jose for compiling all the data on bells he could
get his hands on. A small picture book on bells in the Philippines
will be quite interesting. The only problem is that most of
the bells listed by Jose were cast in the 19th century. Over
the centuries of war and want, church bells were often melted
down and the metal made into more utilitarian objects like
plows and cannons.
Data from churches in many provinces
from north to south have been compiled and classified alphabetically
and thematically. The results were published in "The
Philippine Quarterly of Culture and Society" subsidized
by the University of San Carlos Cebu.
Of course, many bells are named in honor
of the Virgin Mary, who is known under so many titles, including
N[uestra] S[eñora] de Guia, Antipolo, Guadalupe, Loreto,
etc. San Jose was the most popular, at least compared to the
bells named after the Son of God. And there were some that
were named after really obscure saints like Caralampio in
Bacoor, Cavite, that was commissioned by none other than Fr.
Mariano Gomes (one of the three martyr priests known as Gomburza).
One will not find a listing of bells
and names interesting, but seen in the context of art history,
church architecture, legend and iconography, they generate
many interesting stories and connections indeed.
Comments are welcome at aocampo@ateneo.edu.
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